Panic #9 – Key Highlights
-
Publisher: EC Comics
-
Publication Date: June–July 1955
-
Editor: Albert B. Feldstein
-
Cover Title: “Comicfidential”
-
Writers: Jack Mendelsohn; Albert B. Feldstein (tentative credit for text feature)
-
Interior Artists: Bill Elder, Jack Davis, Joe Orlando, and Wallace (Wally) Wood
-
Colorist: Marie Severin
-
Pages: 36
-
Original Cover Price: $0.10
🔥 Key Significance
-
A classic EC humor and satire comic in the tradition of MAD, published by the same company and edited by future MAD editor Al Feldstein.
-
Features an outstanding lineup of EC and MAD-associated artists, including Jack Davis, Bill Elder, Wally Wood, and Joe Orlando.
-
The cover is a photographic parody of Confidential magazine.
-
Delivers a collection of television, movie, and newspaper-column parodies, showcasing EC's irreverent approach to popular culture during the 1950s.
📖 Story Highlights
“Rx Migrane M.D.” – 7 pages
-
Script: Jack Mendelsohn
-
Art: Bill Elder
-
A parody of the long-running medical comic strip Rex Morgan, M.D.
“Drive In Movie!” – 6 pages
-
Script: Jack Mendelsohn
-
Art: Jack Davis
-
A humorous look at the drive-in movie experience, illustrated by EC and MAD legend Jack Davis.
“Zoo Charade” – 6 pages
-
Script: Jack Mendelsohn
-
Art: Joe Orlando
-
A parody of the television program Zoo Parade.
“Bringing Up Babykins” – 1-page text article
-
Script: Albert B. Feldstein (tentative credit)
-
A parody of newspaper advice columns about raising children.
“Bo Bummel” – 7 pages
-
Script: Jack Mendelsohn
-
Art: Wallace (Wally) Wood
-
A parody of the film Beau Brummell, featuring Wood's distinctive artwork.
📌 Additional Details
-
The cover, titled “Comicfidential,” parodies Confidential magazine.
-
Marie Severin provided the colors throughout the listed features.
-
All four comic stories and the text feature were reprinted in Panic (Gemstone, 1997 series) #9, published in March 1999.
-
The supplied issue details list 36 pages, while the introductory description states 32 pages.
Collector's Note: Panic #9 is a terrific example of EC's mid-1950s humor publishing, bringing together an impressive roster of artists and Jack Mendelsohn's sharp parodies of movies, television, and everyday culture.

